Old Holland New Masters Classic Acrylics

New Masters Classic Acrylics are the realization of a dream held by Professor Theo de Beer , Old Holland's late owner, to develop a line of acrylics and acrylic mediums that would be used today by the "New Masters" of art, just as Old Holland oil paints were used by the Old Masters. This line was developed specifically to complement Old Holland's existing oil and watercolor ranges, yet incorporate the finest new pigments available today. A pure acrylic binder sourced from a "boutique" European manufacturer, while more costly, imparts a unique characteristic to these paints, ensuring excellent adhesion, color retention, and working properties. The combination of high pigment load and a proprietary binding system results in colors that uniquely exhibit the characteristics of the individual pigments. They dry to a satin gloss and offer minimum brush drag, making them ideal for a variety of techniques, from high-build impasto to ultra-thin glazing. Other hallmarks of the New Masters line include the absence of extenders or fillers and minimal wet-dry color shift. Plus, they're virtually indistinguishable in color strength, brilliance, and intensity from the oil color range that is the basis of the Old Holland heritage. Extensive development, consultation with professional artists, and years of field trials have resulted in a selection of opaque and transparent colors that include a range of metallic, pearlescent, iridescent, and interference colors.


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Famous 1-Shot Lettering Enamels - These professional enamel paints are the sign painter's best value for lettering work. Famous 1-Shot's vibrant, true colors spread evenly, and are unexcelled for covering. They leave no brush marks and are extremely durable. High-gloss white does not chalk or wash. Famous 1-Shot Enamels are for interior or exterior use on metal, glass, wood or masonite. Thin them with ,with turpentine, or with other thinners. Varnishing is unnecessary due to the high gloss. Paint dries in 8 hours and cures in 6–8 weeks. A free printed color chart is available on request.Neither the printed color chart nor the on-line colorchart can show the reflective qualities of metallic and pearlescent colors effectively.Use to thin, reduce viscosity, and adjust flow andleveling without altering the quality of lettering enamels.Use for shading and tinting 1-Shot Lettering Enamels without affecting the properties of the base coatings.See also ,,and .Warning —1-Shot Lettering Enamels contain lead. Do not use onchildren's articles or in facilities where childrenare present.Save on Sets of 12 1-Shot Enamels!Sets of 12 are available in three sizes of cans:4-oz cans, half-pint cans, and pint cans. (One U.S. pintequals 16-oz.) Metric equivalents are 118-ml, 236-ml, and 472-ml.Sets include one of each of the following colors:Fire Red, Bright Red, Dark Blue, Dark Green,White, Black, Emerald, Primrose, Medium Green,Medium Orange, Lemon Yellow, and Brilliant Blue.
New Listing:
Old Holland Classic Oil Colors - Old Holland has been making artist colors since 1664, making it one of the oldest continuously operating companies in the art supplies industry. The company is known for uncompromising adherance to traditional techniques and standards. All color making is done by hand, and all processes are controlled by artists. Pigments are ground in stone rather than metal rollers, and colors are packaged in lead tubes rather than the more modern aluminum alloy tubes, which eventually oxidize and decay. Old Holland Oils are produced according to traditional recipes, those used for paintings made in the 17th century. These paintings retain the clarity of their colors to this day. That's durability. Like hundreds of years ago, only the best pigments and binders are used to produce very concentrated and light-fast paint, resulting in higher color strength, hiding power, and intensity. That goes for all 168 colors listed here. Only cold-pressed linseed oil from the first pressing is used for the binder. This optimizes oxidation (drying) of the paint and also promotes permanence. The brush strokes flow out better too.

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